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According to the director of blockbuster films such as “Generative AI”, a TV series made entirely by generative AI is only three to five years away. slow horse anthony hopkins movies One life.
After the BBC canceled the long-running drama, James Hawes spoke with SAG-AFTRA and WGA’s legal teams and surveyed his fellow directors and VFX staff. doctorin which he investigated the possibility of a complete AI series, he revealed today.
“The best guess is it will take three to five years,” he told the British Film and Luxury TV Inquiry. “Someone would say, ‘Please make a scene in the emergency room where a doctor comes in and has an affair with a woman, is flirting with her, and someone dies on the table.’ [AI] Start creating. Maybe it’s not as sophisticated as we’re used to, but that’s how close we are. ”
Mr Hawes, who is also vice-chairman of Directors UK, expressed concern that shows that put AI at the heart of their production would impact on “vital training grounds” for junior staff in the industry, and said he would He said: doctors.
He also pointed to the launch last week of the Sola program for open AI that can generate scenes digitally, adding that the “genie is out of the bottle” when it comes to AI and that the UK needs to work to catch up with the likes of the US. admitted that there is.
“My concern is that if we don’t catch up, AI-generated stories will come from elsewhere,” he added. “We need to take notice and act on it now. Silicon Valley is far ahead.”
The Writers Guild of America and Actors Guild of America were able to secure guardrails around the use of AI in their contract with AMPTP after long and thorny negotiations last year, and the General Directors Guild of America was able to secure guardrails around the use of AI in its contract with AMPTP after long and thorny negotiations last year, and the General Directors Guild of America was able to secure guardrails around the use of AI in its contract with AMPTP, and the General Directors Guild of America has been working with members and studios every few months. Hawes said the company is in talks with the government. In the UK, artificial intelligence will play a key role in future negotiations between the actors’ union and broadcasters and producers.
Mr Hawes called on UK stakeholders to be aware of this debate. Before the investigative hearing, he asked ChatGPT to come up with questions to be asked, which he joked were “very accurate.”
Hawes emphasized that there is no substitute for the spontaneity of non-AI production, citing the example of Anthony Hopkins playing the piano on a movie set. one life, This was introduced to the scene after surprising show officials.
“Slow Horse” is deemed “too exotic”
James Hawes.Image: Maria Moratti/Getty Images
During the wide-ranging session, Hawes also revealed: slow horse It was rejected by some UK broadcasters and was initially considered “too quirky and British” for Apple TV+.
“We were wondering if it would travel, despite its reputation as a spy genre.” [in the UK],” he added. “Gary Oldman’s appearance and subsequent success showed that the ‘eccentric Brit’ could travel, and it is now Apple’s longest-running series.”
On the decline of the independent film and TV sector, he echoed comments from Bectu boss Philippa Childs earlier this week that the UK is too reliant on inward investment.
“There are also disadvantages. [to inward investment] “This is because costs are rising and domestic production is finding it difficult to compete for the best technicians,” he added. “It’s not like that right now, but it’s very busy outside. This has given North America confidence in what we’re doing.”
Hawes, who has made the transition from high-end television to film, said film executives no longer have “animosity” towards TV directors.
The inquiry, overseen by the UK’s Culture, Media and Sport Committee, focuses on the current state of British film and premium television, examining issues such as funding, tax credits and diversity.
last month, bend like beckham Director Gurinder Chadha has responded to the inquiry by saying he is making a Christmas movie about an Indian Ebenezer Scrooge set in London, with funding from director Gigi Kamatha’s new British distribution company True Brit. It revealed that.
Later today we’ll be joined by Ken Loach’s head of indies, Rebecca O’Brien, as well as the heads of Film4 and BBC Film.
