The film was acquired by Netflix from the 2024 Sundance Film Festival for a whopping $17 million. It’s the contents The film is the brainchild, or brainchild, of writer/director Greg Jardine, a short film director and music video director, who makes his feature film debut.
Pitched by director Jardin as a “sci-fi thriller with jokes in a unique and heightened tone,” the film follows a group of old college friends who reunite for a celebration the night before one of the friends, Ruben, gets married. depicted in the center. .
In a story filled with variables and social trappings, tensions begin to mount when estranged classmate Forbes arrives with a large suitcase in hand. Inside his suitcase, he reveals a secret device his team is developing that can transform people into new bodies. As they play a mystery game using the device’s mysterious powers, problems with old rivalries, former lovers, and current relationships come to light one after another, the game goes off course, and the whole house panics.
When things get ugly and bodies start falling (literally), things get even more interesting as the finale takes twists and turns into a final guessing game to reveal who came out on top.
Produced by Oscar-nominated actor Colman Domingo and Such Content & Boldly Go Productions, It’s the contents Starring a young and talented cast, they must not only define and command their own characters, but also imprint the character traits and mannerisms of their fellow actors into their exchanged physical expressions.
The impressive ensemble includes: Brittany O’Grady (white lotus) & James Morosini (i love you dad) Gavin Leatherwood as longtime couple Shelby and Cyrus (Chilling Adventures of Sabrina) David Thompson as wealthy party boy Dennis (fear street) As the tech-savvy game master Forbes, Alicia Debnam Carey (fear the walking dead) Social media starlets Nicki and Devon Terrell (Barack Obama) barry) plays the role of Ruben, the groom.
Although the story draws comparisons to the success of recent horror films, talk to me and body body body For the gameplay elements and large young cast, It’s the contents With characters and goals firmly established from the start, a disorienting and virtually unpleasant plot device, and a powerful commentary on identity and the elements that express who we are without a surface, other works We draw a line between the two.
The film seamlessly blends sci-fi, horror, and mystery tones. Puppet Master not only features gameplay controls, but also a mansion-turned-art installation set design that adjusts color, space, mirrors, and angles to effectively adjust the mood and intensity of the scene. The addition of well-placed sharp cut edits, split-screen views, and black-and-white flashback photography keep viewers on the edge of their seats while adding further depth and insight into the characters’ mindsets and the events unfolding around them. Enter a mysterious revenge drama.
Some critical readers of the film see these flourishes as a distraction from the lack of emotional depth and storytelling complexity, but I disagree. The fractured relationships of disloyal old friends and the lies they tell themselves to make their lives easier are at the heart of every decision for writer-director Jardin. The opening sequence of Shelby and Cyrus’ relationship drama tells you everything about what’s to come. Changing the outside cannot cure the rot from within, the truth will always find a way. Forbes’ backstory and the mysterious suitcase serve as skeletal keys to uncover the truth and exact revenge from those who have suffered the most.
The only criticism I can agree with is that the ending of the movie may seem like a disappointment. When the frenetic pacing, emotional freakout, and game elements are removed, Punishment and That Punishment doesn’t quite fit the crime and may not satisfy the audience as much as the previous 90 minutes. A revenge plot might seem less interesting than a relationship falling apart at the seams, so much of the juice is squeezed out before the film’s final moments. However, for the most part, the 100-minute runtime is more than enough to keep you excited, explored, and entertained until the final callback brings the curtain down.
All in all, It’s What’s Inside may seem like the title of a self-help book or a soapy romance novel, but it’s a genre-defying book that peels back the layers of complexity of humanity and modern society to its core. It’s also a perfect representation of the story. Survival, desire, attention. More sci-fi-driven gameplay elements fuel well-defined character angst and discomfort before giving way to the final throes of deeply rooted revenge. A well-crafted crowd-pleaser for his directorial debut, it’s the perfect way to kick off October’s Netflix & Chills month.
Please take a look inside if you like.
- talk to me
- body body body
- I know what you did last summer
MVP of It’s What’s Inside
Shelby and Cyrus’ relationship
With such a deep ensemble cast with such a twisting plot device, it’s hard to pick just one actor who jumps off the screen, especially when the actor jumps around as different people so many times.
But the most grounded guiding force that seems to keep the story on track is the relationship between the conscious people-pleaser Shelby and Cyrus, who chronically lies to himself and others.
As mentioned above, their opening scene sets the tone for all of the film’s themes and angst. Brittany O’Grady and James Morosini act to disgusting perfection, always at odds even when one of them is having a good time. Cyrus’s jealousy from a man who lusts after another woman is a classic example that audiences can both relate to and find disgusting. After all, he is “Cyrus the Virus.” Shelby is also a classic archetype in the sense that she doesn’t want to admit that her relationship isn’t working and doesn’t have the self-respect to end it. Day 1. While I’m not entirely sold on the ending of their story, it’s still a well-written story that ultimately brings Sherbow to a better place.
It’s the contents It’s a fascinating, twisty, and unique revenge drama with a genre-blending, neon-filled exterior and an unsettling, semi-feminist human experiment at its core. This is a work that can be watched over and over again, captivating fans of various genres.