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A sidebar dedicated to first and second films, Cannes Critics Week begins with Jonathan Millet’s psychological thriller Ghost Trail and ends with Emma Benestin’s genre film Animare .
“Ghost Trail” and “Animare” are two of the 11 features scheduled for Critics Week, which runs parallel to the Cannes Film Festival.
The only American film selected was Constance Tsang’s Blue Sun Palace, which follows two Chinese immigrants living in Queens who bond after a tragic death and find meaning in each other’s existence. It’s a bittersweet movie. Critics Weekly Artistic Director Eva Kaen said, “As humble and dignified as the characters, this first-ever realistic and intimate film shines a light on a little-known community.” . “Blue Sun Palace” stars Li Kang-sheng, whose recent credits include “Twisted Strings.”
In addition to the opening and closing films, the Special Screening section includes Said Hamic Benlarbi’s Across the Sea and Alexis Langlois’s first feature Les reines du drame.
“Across the Sea” is a melodrama set in the 90s, featuring rai music, and depicting the decade of a Moroccan immigrant who secretly moved to Marseille. The film stars Grégoire Collin, Anna Mouglalis, and up-and-coming actor Ayoub Greta. “Across the Sea” is Hamich Benlarbi’s follow-up to “Retour à Bollène.”
Meanwhile, “Les reines du drame” is a pop musical comedy about an influencer who falls in love with a 2000s punk singer. Caen described the film as “a glittering, vibrant love letter to cinema and its history, style, and genre.” The film also stars Bilal Hassani, Asia Argento, and Alma Jodorowsky, in addition to Luisa Orla and Gio Ventur.
“Ghost Trail” is inspired by real events and tells the story of a Syrian man who hunts down some of the people who committed terror in the name of the regime during the civil war. Cahen described the film as “a thrilling erotic film in which French-Tunisian actor Adam Bessa’s sensitivity is breathtaking.”
“Animale” is a feminist genre film “at the intersection of westerns, slashers, body horror and revenge films, in the heart of the Camargue,” Caen said. The film stars Ulaya Amra, who previously starred in ‘Divine’.
Other films scheduled for world premieres at Critics Weekly include the romantic genre film “Locust,” which marks the feature debut of Taiwanese multidisciplinary artist KEFF. “Julie Be Quiet” by Leonard Van Dyle. “Simon of the Mountain” directed by Argentine Federico Ruiz. “Baby” directed by Brazilian Marcelo Caetano. “On the Brink of Dreams” by Nada Riyad and Ayman El Amir and “Block Pass” by French director Antoine Chebrolier. Critics Weekly featured a record 1,050 feature films, a third of which were directed by women. The 63rd Critics Week will be held from May 15th to May 23rd.
competition
“Baby” Marcelo Caetano
“Blue Sun Palace” Constance Tsang
“On the Brink of Dreams” Nada Riyad and Ayman El Amir
“Julie is quiet” Leonard van Dijl
“Locust”, Kef
“Block Pass” Antoine Chevrolier
“Simon of the Mountain” Federico Ruiz
Special screening works
“Ghost Trail” Jonathan Millett (opening work)
“Drama Queens” Alexis Langlois
“Across the sea,” said Hammich Benlarbi.
“Animal” Emma Benestin (closing film)
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