[ad_1]
Lana Del Rey made several well-received cameos during her Coachella performance, welcoming recent co-stars Jack Antonoff and Jon Batiste, both of whom will front their own sets later in the weekend. Although he was supposed to be the host, he appeared as a guest in the following way, which is difficult to predict. Billie Eilish’s song appeared as a surprise duet between the two groups.
Stepping out onto the terrace overlooking the huge stage, the two first joined forces for Irish’s “Ocean Eyes,” then turned their voices to “Video Games.” Both songs marked the first true big hits of these artists’ respective careers.
As the collaboration drew to a close, the two exchanged fangirl notes. Del Rey gushed about her singing partner. “It’s the voice of our generation and it’s the voice of your generation. I’m so grateful that she’s standing next to me right now singing my favorite song.”
Eilish retorted, “Don’t do that,” and the two burst into laughter.
“This is why half of you bitches exist – including me!” Eilish further told the crowd. “Lana Del Rey, come on guys!”
Eilish took to the stage after Batiste took a long turn and he and Del Rey released Del Rey’s latest album, Did You Know There’s a Tunnel Under Ocean, released in 2023. This is because they recreated the song “Candy Necklace” that they made together for “Boulevard.” The song was nominated for Best Pop Duo/Group Performance at the 2024 Grammy Awards. For much of the song, Batiste played the piano while kneeling over her instrument, but after she sat down toward the end, they spontaneously began exchanging vocal lines.
Following Eilish’s appearance, Del Rey was joined by her co-producer and recent co-writer Antonoff, saying, “Hope is a dangerous thing for women like me — but I have it.” A reading session was held. Or at least some versions of her were joined by Antonoff. He was definitely playing the piano with her in the flesh, but she appeared as an oversized hologram just for that one song. The song dates back to his 2019 album Normal Fucking Rockwell.
Del Rey didn’t need these guests to make an impression. Most viewers who tuned in at the Indio venue or via YouTube would agree. She certainly had one of the most memorable entrances and exits in Coachella history, weaving in and out of the audience through the walled section that separated the crowd, riding on the back of a bike, and sometimes even standing up. , they were kissing each other as they passed by. . Six dancers followed her, holding onto a motorcyclist as they continued the convoy, which lasted several minutes.
The hour-and-a-half set was well-received by the large crowd, despite or perhaps because it offered a different atmosphere and music than the rest of the day. Live singing and instrumental playing was just one of his obvious breaking points with other Coachella artists seen throughout the day. Del Rey’s show lacked the overly aggressive elements emphasized by other performers, with a gentle if determined performance, with Del Rey, female dancers, and backup singers singing softly or beautifully in dresses. It was all about feminine energy. She channels this understated energy into the bold themes she’s known for.
From the first drone (or Steadicam) shot of her motorcade, to what could almost be considered a delicate pole dance, to a series of piano ballads late in the set, her show was perhaps characterized by I was given a Even if it doesn’t start at 11:20pm (as planned) and lasts until almost 1pm, it still has a late night feel to it. Pulling off the light-hearted feel of summertime sadness in a climactic frame is no easy task. Perhaps Del She Ray is the only one who can do that. When you headline a festival, you have this laid-back, even sweet vibe, but in the process you completely reassert yourself as an alpha.
[ad_2]
Source link