Stunt pilot Fred North looks back Beverly Hills Cop: Axel F. Director Mark Molloy was alarmed by the helicopter stunts performed during the production of the film. As the fourth part, beverly hills cop Like the series, the film sees Eddie Murphy reprise his role as Axel Foley, along with old friends John Taggart (John Ashton) and Billy Rosewood (Judge Reinhold), when the life of Axel’s daughter is threatened. . The stunt involved a helicopter crash and was filmed using practical effects. Molloy was visibly shaken.
during a video with hallway crewIn Nico and the Wren, North explains: beverly hills cop 4 The stunt was carefully planned and executed, using a real helicopter to realize the scene. Molloy’s reaction highlights the intensity of the stunt, which combines practical elements with visual effects. North also shared how a practice session for the stunt took place in a desert field. It builds towards the final sequence which surprised Molloy. Check out the video here:
So before we actually did it, we practiced on an empty field in the desert. What happened was when Mark Molloy, the director, shot the first film, he said, “Fred, is this the end?” So he said, “Is that all you have?” I mean, he’s a great guy, but he was on the ground, and I said, ‘Mark, I think it’s best if you come with us. And you see. ‘Cause for me that’s because you’re looking at something that you want to shoot from inside a helicopter. So, he came with us, I did it, and he said, “Fk me!” You know, that’s why they used a different shot. From the inside, I thought the CG handover was pretty good, but it obviously didn’t actually crash, which changed my perspective on how scary the whole thing was. So we all agreed to let Mark actually do everything.
What this means for action Beverly Hills Cop: Axel F.
The practical effects of Beverly Hills Cop’s four values
A real helicopter is used in the crash scene. Beverly Hills Cop: Axel F. is a practical example of a high-intensity action sequence. The production team’s decision to use a real helicopter to perform the stunt required careful planning, and North conducted preliminary practice in the chosen desert environment. Additionally, Molloy’s reaction to the first take of the stunt highlights the unexpected intensity of the scene even during filming. Additionally, North’s experience with directors on set suggests that: The realism of the stunt made the scene even more difficult to capture.
This helicopter stunt reflects the production team’s commitment to physical action and real-world execution, highlighting: The level of expertise involved in filming these high-risk stunts. As North’s description suggests, the real work must be concerned with performing the stunt safely and accurately. beverly hills cop Not on the same level as action series like mission: impossiblewhich still leads to a lot of impressive behind-the-scenes work. The combination of real stunt work and safety measures further enhances the physicality and specificity of the action seen in this film. Beverly Hills Detective: Axel F.
Our take on this daring helicopter stunt
Stunt work is an important part of film production
Helicopter stunts seen in Beverly Hills Cop: Axel F. is a great example of how practical stunts can add a raw, visceral dimension to action movies. The dangers involved in performing the stunt are a testament to the dedication and expertise of the stunt team and actors. Molloy’s reaction is a reminder of the unique thrill that real-life effects bring to the screen. Nothing can match the tension and excitement of actually seeing something happen. Moments like this remind us Why stunt work remains an important part of action filmmaking.
Source: Corridor Crew
Beverly Hills Cop: Axel Foley is the fourth film in the popular comedy series starring Eddie Murphy. Murphy returns as Axel Foley in the Netflix film, which also co-stars returning cast members Judge Reinhold and John Ashton, as well as Bronson Pinchot as Serge. Kevin Bacon and Joseph Gordon-Levitt will also appear as new characters in the sequel.
- director
- Mark Molloy
- release date
- July 3, 2024
- studio
- Paramount Pictures, Jerry Bruckheimer Pictures, Eddie Murphy Productions
- distributor
- Netflix
- writer
- Will Beale
- runtime
- 118 minutes
